Titlebook: Authorship, Commerce and the Public; Scenes of Writing 17 E. J. Clery,Caroline Franklin,Peter Garside Book 2002 Palgrave Macmillan, a divis

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https://doi.org/10.1007/978-3-662-11840-5ss those limits he remained frequently isolated by illness, poverty or bad weather, so that his concept of literary community continued to find its most acute expression in his allusive compositional method. His enduring solitariness is perhaps figured most prominently in his frequent references to

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https://doi.org/10.1007/978-3-531-90047-6f a text’s context and readership play a part in interpretation, then surely it is important to read the edition to which a contemporary audience originally responded. On the other hand, perhaps an editor can have the best of both worlds by producing a conflated text in which her value judgements ab

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https://doi.org/10.1007/978-3-531-90047-6e of the third edition, moreover, be a calculated attempt to cash in on a rural vogue set by the latest publishing sensation, Robert Bloomfield’s . (1800)? My focus here, however, is not on these strategies. I want to revisit the critical debate over the success of . in order to draw out the equivoc

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Authority and Community: John Clare and John Taylorss those limits he remained frequently isolated by illness, poverty or bad weather, so that his concept of literary community continued to find its most acute expression in his allusive compositional method. His enduring solitariness is perhaps figured most prominently in his frequent references to

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