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Titlebook: Australian Film Festivals; Audience, Place, and Kirsten Stevens Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 film festiva

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发表于 2025-3-21 16:19:07 | 显示全部楼层 |阅读模式
期刊全称Australian Film Festivals
期刊简称Audience, Place, and
影响因子2023Kirsten Stevens
视频video
发行地址Examines the Australian response to and engagement with film festivals beyond models set by Europe and North America.Traces the history, proliferation, and current practice of film festivals in Austra
学科分类Framing Film Festivals
图书封面Titlebook: Australian Film Festivals; Audience, Place, and Kirsten Stevens Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 film festiva
影响因子.This is the. .first book to offer an in-depth examination of the history, operation, and growth of film festivals as a cultural phenomenon within Australia. Tracing the birth of film festivals in Australia in the 1950s through to their present abundance, it asks why film festivals have prospered as audience-driven spectacles throughout Australia, while never developing the same industry and market foci of their international fellows. Drawing on over sixty-years of archival records, festival commentary, interviews with festival insiders and ephemera, this book opens up a largely uncharted history of film culture activity in Australia..
Pindex Book 2016
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,Enthusiastic Amateurs: Origins of Australia’s Film Festival Movement,Sydney (SFF) film festivals. Emerging in the early years of international film festival development, MIFF and SFF represent distinctly different festival experiences compared with events emerging in Europe contemporaneously. This chapter engages directly with assumptions that the early years of fest
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Growth and Change: Curator-Led Festivals, Fragmenting Audiences, and Shifting Film Exhibition Cultudney, the chapter traces the increasing professionalism of the Australian events and examines their early adoption of festival directors as curators. Continuing the chronology of festival development, the chapter also identifies the emergence of several new film festivals throughout Australia’s majo
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Between Success and Failure: Crisis and Recovery at the Melbourne International Film Festival,racing MIFF’s decline into bankruptcy and its subsequent recovery through the 1980s, this chapter identifies the competing agendas and stakeholders that operate within the film festival space. Positing that celebrations such as MIFF must negotiate a variety of agendas and positions in order to remai
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Conclusion,pter looks to the accomplishments of . while also looking towards those questions that lie beyond the scope of the book. As an ending, it eulogises the conclusion of certain key elements of Australia’s regional festival experience. Yet in doing so it also points to the continuation of the Australian
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https://doi.org/10.1007/978-3-531-93132-6lopment of new festivals through the 1980s and 1990s, this chapter reflects on the effects of globalisation of the regional festival scene and further links developments in Australia to the global proliferation of festivals during this period.
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