Titlebook: Audio Technology, Music, and Media; From Sound Wave to R Julian Ashbourn Book 2021 The Author(s), under exclusive license to Springer Natur

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Brochure

Multi-Channel Tape Recorders,ing the subject of maintenance which was very important to the performance of these machines. Also discussed are the increases in tape width, the difference in tape formulations and the introduction of noise reduction systems. A brief overview of the transition from master tape to disc is included.

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The Advent of the Big Studios,discussed, as are the plethora of outboard electronics with which the better studios had to equip themselves. The career of George Martin is touched upon briefly, as he is regarded as one of the first influential producers in the field of popular music. The curve of ever increasing physical tape tra

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The Record Business,ts to be established in many countries. This is discussed together with typical business models and the relationship between artist and record label. The introduction of independent record labels in the popular music field, together with the smaller specialist labels in classical music, is also expl

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How the Technology Changed the Music,the introduction of CD was quickly accepted by the majority but questioned by a few who made comparisons with good quality analogue sound. The impact upon the record market was also significant, as record labels rushed to digitise their back catalogues. However, early recordings made in digital were

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,Classical Music Is Effectively Broken by Technology,phones in front of almost every instrument, in the knowledge that they could mix the audio in any way they wished after the event. They would argue that this produced the right sound of each instrument, but it did not reproduce the sound of the orchestra as the conductor and audience heard it, or ho

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Digital Arrives, But Something Is Not Right, quickly accepted by both the manufacturers and the buying public. However, after a while, when some began to listen critically to the sound of CDs, they realised that something was missing. At that time, there were few truly digital recordings and those that did exist had been recorded on a variety

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A-D and D-A Convertors and Compressors in the Digital Domain,y, the digital to analogue convertors that are used for replay in CD players, portable devices and other systems are crucial to the quality of playback. In the perfect world, the digital signal would remain bit-perfect throughout the chain, but, of course, this hardly ever happens. These and other i