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Titlebook: At Home in the Chinese Diaspora; Memories, Identities Kuah-Pearce Khun Eng,Andrew P. Davidson Book 2008 Palgrave Macmillan, a division of M

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https://doi.org/10.1007/978-0-8176-4678-3distant land that used to be their home. As they seek to reproduce their social values, customs and values in their new diasporic community, the process of reproduction is often governed by what they remember and the selective process of what they want to remember and reproduce for their new home. A
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https://doi.org/10.1007/978-0-8176-4678-3ntal, this chapter will suggest that China’s influence on the Korean ‘imagined community’ in its national memory (1983), albeit very different, is equally irrefutable. This account explores the restructuring process of the Sino-Korean relationship (Choson Korea 1392–1910; Qing China 1644–1911) in Ko
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Rainer Osswald,Robert D. Van Valin Jr.divisive strictures of apartheid legislation finally annulled. For the suppressed and disadvantaged masses and minorities who now belonged to a new South Africa, it was a time to look forward, but also a time to look back. With the freedom struggle over, victims and perpetrators from a wide spectrum
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Studies in Linguistics and Philosophyiences, casts significant implications on the study of Chinese diasporas. We can follow this stance to assert that ‘diaspora’ as an analytical category must be referred to in the plural form and with a lowercase ‘d’. In many instances, while such broader usage then implies that the term is more or l
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Wiebke Petersen,Thomas Gamerschlagefined recent human history and appear to continue unabated in this century. Like Alice in ., movement is about constructing narratives of self and ‘home’. In Kondo’s (1996, p. 97) words, home ‘stands for a safe place, where there is no need to explain oneself to outsiders; it stands for community’.
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Introduction: Diasporic Memories and Identities, state, a sojourner’s mentality soon gives way to a sense of permanence, marking the transition from migrant to becoming a fully fledged member of the host society. In this sense, Georg Simmel’s stranger finds home, fashioned from two worlds, similar yet disparate. As such, the diasporic communities
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