Titlebook: Asian Punches; A Transcultural Affa Hans Harder,Barbara Mittler Book 2013 Springer-Verlag Berlin Heidelberg 2013 Chinese Studies.History.In

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Book 2013a British India up to China and Japan in the East. It traces an alternative and largely unacknowledged side of the history of this popular British periodical, and simultaneously casts a wide-reaching comparative glance on the genesis  of satirical journalism in various Asian countries. Demonstrating

合乎习俗

Aufbau einphasiger fester Stoffelarities between . and . and delves into the issue of trans-cultural flows between the different literary cultures. The following presentation is based upon the available issues of . from 1880 to 1887 and 1897, and on the only available critique by Marathi writer Sarojini Vaidya.

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2191-656X tirical journalism in various Asian countries. Demonstrating the spread of both textual and visual satire, it is an apt demonstration of the transcultural trajectory of a format intimately linked to media-bound public spheres evolving in the period concerned.978-3-642-28606-3978-3-642-28607-0Series ISSN 2191-656X Series E-ISSN 2191-6578

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Fragen und Antworten zu Werkstoffe conscious, skilful branding being a major key to .’s success, as Brian Maidment shows. It was first and foremost the combination of textual and graphic satire that was the characteristic trait of ., and the visual attraction of its cartoons made .’s name famous.

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Prologue: Late Nineteenth and Twentieth Century Asian , Versions and Related Satirical Journals, conscious, skilful branding being a major key to .’s success, as Brian Maidment shows. It was first and foremost the combination of textual and graphic satire that was the characteristic trait of ., and the visual attraction of its cartoons made .’s name famous.

ASSAY

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The Presence of , in the Nineteenth Century a model for, an influence on, or a legitimating force for satirical magazines published outside Britain, often in societies both geographically and culturally remote from British Victorian metropolitan culture. In this context, it is important to begin by reconsidering those characteristics of . th

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and Indian Cartoons: The Reception of a Transnational Phenomenonrogress and spread throughout the subcontinent. . was turned into an effective weapon of political resistance and social criticism by the Indian followers of the English magazine in a way not envisaged by its creators. Yet this is not the entire story. . exemplifies the wider question of how a conce

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The Possibility of Satire: Reading Pratap Narain Misra’s ,, 1883–1890elationship between the objects of satire—the targets, so to speak—and the intended audiences. Too close an identification between the two and the performance veers towards sermonising or ranting. On the other hand, too little identification, too great a perceived distance, so that the audience of s