Titlebook: Arts and Technology; Third International Giorgio Michelis,Francesco Tisato,Diego Bernini Conference proceedings 2013 ICST Institute for Co

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书目名称Arts and Technology影响因子(影响力)




书目名称Arts and Technology影响因子(影响力)学科排名




书目名称Arts and Technology网络公开度




书目名称Arts and Technology网络公开度学科排名




书目名称Arts and Technology被引频次




书目名称Arts and Technology被引频次学科排名




书目名称Arts and Technology年度引用




书目名称Arts and Technology年度引用学科排名




书目名称Arts and Technology读者反馈




书目名称Arts and Technology读者反馈学科排名

MITE

Exhibiting Poetry in Public Places Using a Network of Scattered QR Codesunaccustomed to. We thus came up with codepoetry, a poetry game in the city. A large number of QR barcodes, spray painted on walls around central Athens using a large metallic stencil, tempt passers-by into scanning them using a smartphone in order to reveal a random poem from a curated online colle

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同位素

How to Outreach the External World from a Museum: The Case of the Marsili’s Spirit Appn be connected and attracted by a given institution. Hence, a successful communication strategy includes outreach activities, which very often involve the use of digital technologies. In fact, digital literacy is progressively increasing and, hence, providing a universal language that can be utilize

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带伤害

savage

Assistive Synchronised Music Improvisationory workshops with a group of adult learners with mobility issues, a pattern based musical-model is defined. Employing a synchronised pattern-based approach to music generation a prototype ‘instrument’ has been realised that brings together key assistive and musical features that were identified as

繁荣地区

Neuroaesthetic Resonanceia movement alone is catalyst of the work where motivated fun through ludic engagement is core. Innovation of apparatus and methods in non-formal rehabilitation via matching digital media plasticity to human performance plasticity are foci. System adaptions according to abilities offer a generic sol

Agronomy

Digital-Foley and Live Performancepulation and physical computing. A variety of approaches to electronic sound-production and control are described along with first-hand reflections on the expressivity and control that are offered by each within a context of live drama. In redefining digital-Foley, design considerations are outlined

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