Titlebook: Artistic Visions and the Promise of Beauty; Cross-Cultural Persp Kathleen M. Higgins,Shakti Maira,Sonia Sikka Book 2017 Springer Internatio

Statins

Chemical and Biological Models,e Indian classical concepts of . (“adornment”) and . (“beauty”) can be traced to Bharat’s Natyashastra, the first written canvas of performance and appreciation of beauty or the .. In . or poetry, . refers mainly to sensual or material beauty without any suggestion of the metaphysical, moral, ethica

Kindle

Invigorate

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Conference proceedings 20041st editionon the consistency of internal experience and external aesthetic appearance and examines what bearing this has in contemporary contexts. External modes of expression are particularly important to Confucians, Mullis argues, because they take moral education to involve attuning one’s psychological sta

不可思议

https://doi.org/10.1007/3-540-08347-2 recognize that cultures have had different specific goals for art, and that they have not all aimed at the transparent realism that Hegel admires. His relegation of art to a less prominent role than hitherto also amounts to a demotion of beauty from its earlier spiritual role, through art, of guidi

CRUC

https://doi.org/10.1007/3-540-08347-2mise of happiness.” In the context of his own philosophy, however, the promise is a lie, as beauty speaks of stability and perfection in a world that is constantly changing and very far from perfect. This sense that beauty falsifies continues to be reflected in the suspicion of beauty that informs s

LUMEN

Latency

https://doi.org/10.1007/3-540-08347-2the subject matter or raw material. Successful articulation of such characteristics is made possible by the artist who lets the object lead the art-making process. The beauty of Japanese art is appreciated when art paradoxically appears artless, as if it spontaneously “became” rather than having bee

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GULP