Titlebook: Artifacts, Representations and Social Practice; Essays for Marx Wart Carol C. Gould,Robert S. Cohen Book 1994 Springer Science+Business Med

NAUT

Valuing Experience-Centered Design be deconstructed which are incomparably more important philosophically than the notions with which Derrida and his ilk have occupied themselves. What I shall do in this paper is to present a case study in the kind of deconstructive method I just indicated.

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Institutional Blessing: The Museum as Canon-Makerory. Aestheticians, while commonly absorbed with theory, rarely have much to do with the actual institutions of the art world.. I propose here to discuss one institution, the Museum, which, since the eighteenth century, has figured prominently in constituting the art world. I hold that the museum pl

外来

“Suddenly One Has The Right Eyes”: Illusion and Iconoclasm in The Early Gombrichplaying the process of artistic fabrication, of showing the making of art out of its raw materials, had been taken up as the selfconscious goal of artmaking itself; aesthetic appearances were distorted and fractured by the attempt to force what resisted aesthetic figuration to appear as unfigured. A

EXALT

Danto, Dutton, and Our Preunderstanding of Tribal Art And Artifacts different from our own culturally and conceptually? To begin with, how do we know whether tribal people make an art/artifact distinction? If they do, is it the same as ours? If not, how can we correctly understand what seem to us to be their art and artifacts?

惩罚

In Defense of Musical Representation: Music, Representation and the Hybrid Artsolume, being well known to all his admirers. It is in the spirit of that work, although not, obviously, as a direct contribution to it, that I offer, for this happy occasion, some brief remarks on the problem of musical representation.

SIT

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insightful

A Genealogy of ‘Aura’: Walter Benjamin’s Idea of Beautyart, which he developed in his essay on “Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.”. Yet justifiable concern has recently been expressed that the conventional reading of the essay in the 1970s has “tended to obscure its more incongruous and ambivalent features.”. Whereas such

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