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Titlebook: Artifacts, Representations and Social Practice; Essays for Marx Wart Carol C. Gould,Robert S. Cohen Book 1994 Springer Science+Business Med

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期刊全称Artifacts, Representations and Social Practice
期刊简称Essays for Marx Wart
影响因子2023Carol C. Gould,Robert S. Cohen
视频video
学科分类Boston Studies in the Philosophy and History of Science
图书封面Titlebook: Artifacts, Representations and Social Practice; Essays for Marx Wart Carol C. Gould,Robert S. Cohen Book 1994 Springer Science+Business Med
影响因子The essays collected here in honor of Marx Wartofsky‘s sixty-fifth birthday are a celebration of his rich contribution to philosophy over the past four decades and a testimony to the wide influence he has had on thinkers with quite various approaches of their own. His diverse philosophical interests and main themes have ranged from constructivism and realism in the philosophy of science to practices of representation and the creation of artifacts in aesthetics; and from the development of human cognition and the historicity of modes of knowing to the construction of norms in the context of concrete social critique. Or again, in the history of philosophy, his work spans historical approaches to Hegel, Feuerbach, and Marx, as well as contemporary implications of their work; and in applied philosophy, problems of education, medicine, and new technologies. Marx‘s philosophical theorizing moves from the highest levels of abstraction to the most concrete concern with the everyday and with contemporary social and political reality. And perhaps most notably, it is acutely sensitive to the importance of historical development and social practice. As a student of John Herman Randall, Jr. and
Pindex Book 1994
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Experience-Based Communication,playing the process of artistic fabrication, of showing the making of art out of its raw materials, had been taken up as the selfconscious goal of artmaking itself; aesthetic appearances were distorted and fractured by the attempt to force what resisted aesthetic figuration to appear as unfigured. A
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Experience Architecture in Real Life,olume, being well known to all his admirers. It is in the spirit of that work, although not, obviously, as a direct contribution to it, that I offer, for this happy occasion, some brief remarks on the problem of musical representation.
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Experience Architecture in Real Life,sort of quantitative character to things judged good or bad. I am referring to processes of rationalization which start from a judgment that an item is good, then proceed to consider whether it is better or worse than other things, then finish with some inference about how much good the item contain
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Experience Architecture in Real Life,ilosophy of mathematics which have existed for so long and which have stimulated so many writings. Present in filigree in Aristotle’s writings,. they are there in person in the writings of his commentators. and in the writings of philosophers and logicians up to the beginning of the last century. On
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Experience Architecture in Real Life,ical theories. These concepts are intimately involved with two other concepts: the concept of the motion of some object, i.e., the change over time of its position in space; and the concept of the change over time of some property of an object (or field) at the same point in space. So the concepts o
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Experience Architecture in Real Life,s a view of reason, humans and their world opposed to Enlightenment dichotomies. According to the expressivist doctrine, man and world are not abstractly juxtaposed but integrally interrelated: individuals exist as parts of a broader whole, just as the world is the place for their self-realization a
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