Titlebook: Art and the Challenge of Markets Volume 2; From Commodification Victoria D. Alexander,Samuli Hägg,Erkki Sevänen Book 2018 The Editor(s) (if

fructose

Neoliberal Marketization of Global Contemporary Visual Art Worlds: Changes in Valuations and the Scorging art markets. Focusing on the mechanisms and practice changes, the author shows how marketization has changed the conventional valuations and consumption practices in art markets, and created a growing interest in Asian contemporary art markets.

anticipate

Insul岛

A Plea for Responsible Art: Politics, the Market, Creationunderline the reverse difficulty of social sciences for formulating a convincing criticism. Reconsidering their passive inability or their active refusal to address questions of value, the author suggests in conclusion a pragmatist path in order to sustain both the artists’ claim for autonomy and the necessary public disputability of their work.

悄悄移动

Artistic Critique on Capitalism as a Practical and Theoretical Problemradoxical consequences in terms of the emergence of new norms of excellence and creative lifestyles, adaptable, hyper-mobile and flexible, and artists’ divergent contribution to redevelop a particular sense of self-realization and self-fulfilment.

恸哭

Dirty Pictures: Scandal and Censorship in Contemporary Artrket, arts institutions, and among artists in the form of self-censorship. Equally important is the contingency of outcomes that may result from both overt and covert efforts at social control, ranging from suppression of content to selective support of particular types of aesthetic expression.

领巾

Schlemms-Canal

Ganglion-Cyst

Incorporate

Culturalization of the Economy and the Artistic Qualities of Contemporary Capitalism This chapter claims that we could, conversely, describe the constitutive logics of contemporary capitalism in terms of artistic creation. The common lens through which the realms of art and capitalism have converged from the 1960s onward can be found from a set of qualitative transformations in the

Awning

Neoliberal Marketization of Global Contemporary Visual Art Worlds: Changes in Valuations and the Scoarkets) and a new group of art buyers (i.e., art investors) challenged key practices of the traditional art world in terms of valuation and consumption. This chapter illustrates how recent market change(s) in the contemporary art market expedite the reordering of status in contemporary art. Moreover