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Titlebook: Art and Archaeology; Collaborations, Conv Ian Alden Russell,Andrew Cochrane Book 2014 Springer Science+Business Media New York 2014 Francis

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Artists Connecting Archaeologists: Encountering the Third Kindnt. These are usually seen as two radically different relations to time and materiality. It is well known that archaeology is an interwoven field of knowledge and practices that generates fascination for the public. Archaeology fuels the public imagination by bringing objects that originate in dista
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Digital Dwelling at Skara Braea Brae. A mixed-media approach has the potential to capture and communicate very different qualities of the archaeological record to systematic and objective techniques of data collection alone. The process of gathering and converging diverse media, from laser scans to watercolour painting, enables
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Pearson|Shanks—Theatre/Archaeology—Return and Prospectanks we bring together performance art and archaeology through shared interests: forms of (re)collection—the gatherings of memory practices; and site and locale—treated as multitemporal articulations, where different events and times endure and come together in the material forms of inhabited places
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Traumatic Extradural Hematomas,ws on ‘rubbish theory’ relating to the aesthetics of industrial ruins exemplified in the work of Tim Edensor. This research provides a way of exploring why Bacon may have found working in the archaeological equivalent of a ‘midden’ both an efficacious and enjoyable process.
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Dust and Debitage: An Archaeology of Francis Bacon’s Studiows on ‘rubbish theory’ relating to the aesthetics of industrial ruins exemplified in the work of Tim Edensor. This research provides a way of exploring why Bacon may have found working in the archaeological equivalent of a ‘midden’ both an efficacious and enjoyable process.
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Book 2014oners. Departing from the proceedings of the Sixth World Archaeological Congress’s ‘Archaeologies of Art’ theme and Ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theory to the practic
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Extracellular Vesicles and Fatty Liverrame the type of work they’re trying to do. We think that perhaps some reflections from you on your life and your work might help us think critically about how we’re encountering contemporary creative practice today.
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