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Titlebook: Archaeology of Iran in the Historical Period; Kamal-Aldin Niknami,Ali Hozhabri Book 2020 The Editor(s) (if applicable) and The Author(s),

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Markenkommunikation und Beziehungsmarketing with straps to the thigh are depicted on a number of reliefs. Coin depictions suggest that the Parthians adopted ring-pommel daggers and medallion-scabbards as royal emblems in the first half of the first century B.C. at the latest.
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On Cultural Boundaries and Languages in Western Iran: The Case of the Zagros Gates,sian and Assyro-Babylonian worlds, and between later states, such as Safavid and Qajar Iran, and the Ottoman empire, has undergone change, such that sites and towns commonly thought of as being in one cultural sphere were, at times, in another. The significance of boundary zones, as opposed to clear-cut boundary lines, is examined.
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Daggers in Parthian Iran, with straps to the thigh are depicted on a number of reliefs. Coin depictions suggest that the Parthians adopted ring-pommel daggers and medallion-scabbards as royal emblems in the first half of the first century B.C. at the latest.
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Assyrian Exploitation of Iranian Territories, of flocks and herds, the deportation of populations, and the seizure of metal resources. Even the gods of the defeated might be seized and carried off to Assyria. Astonishingly, all this did not prevent Assyria from also conducting commercial operations in the subjugated areas.
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Contributions for the Identification of the Human Bust on a Winged Disc in Iranian Arts,ntheon Ahura Mazda. Its later adaptations can be observed in post-Achaemenid art such as in the coinage of the kings of Persis. It was possibly transformed in a successive phase in the spread wings motif to be found sometimes on Sasanian crowns as a pedestal exalting astronomical symbols.
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