Titlebook: Applying Performance; Live Art, Socially E Nicola Shaughnessy Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited 2012

AXIS

LATE

慎重

synovitis

Accomplish

maverick

使服水土

Placing Performance characterizing this work (in terms of place as a process of making, embedded in a dynamic and mutually constitutive relationship between the physical and social environment) and challenge the dichotomies associated with site and place.

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荒唐

Participatory (Syn)Aestheticsmance as ‘collaborative’, ‘interactive’, ‘immersive’ and ‘participatory.’ Although it might be argued that . applied theatre is participatory (and this is identified in Part I as a principle of applying performance), the focus on the participant’s . through the . of the work brings it into dialogue

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Conclusion: Affective Practices on my own experience. During 2005 I was involved in an intergenerational project, a collaboration between Canterbury Museum, Year 6 primary school pupils from four local schools, and the Departments of Drama and Theatre Studies and Electronics at the University of Kent. This was a C&T-style Living