Titlebook: Anti-Humanism in the Counterculture; Guy Stevenson Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to S

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Book 2020pessimism; between brutal rhetoric and emancipatory desires; and between social egalitarianism and spiritual elitism. Such paradoxes, Stevenson argues, help explain the cultural and political worldsthese writers shaped – in their time and beyond..

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Einführung in die Kostenrechnungity. Sketching the Beats as both the kind of perfectionists Pound and his allies abhorred, and unexpected sceptics, this chapter sets up paradoxes that will frame the rest of the book: between progressive aesthetics and exclusionary political ideology, and between an emancipatory, democratic vision

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Einführung in die Kostenrechnung corpses’ of Europe, and Miller’s surprising literary relationship with Ezra Pound, this chapter analyses that complicated ideological marriage at the root of American countercultural literature (Orwell 2009, ‘Inside the Whale.’ In ., ed. by George Packer, pp. 95–137. London: Harvill Secker. Origina

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Einführung in die Krankenhaus-Kostenrechnunggro: Superficial Reflections on the Hipster’, which used reductive racial stereotypes to celebrate violence as a means of psychological evolution, is presented as yet another mutation of the anti-humanist reversal in Miller and Burroughs’ work. Finally, his problematic dichotomy of ‘hip’ and ‘square

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https://doi.org/10.1007/978-3-8349-8158-5res the Beat position to the cultural Marxism of the Frankfurt School, in order to clarify the existential and spiritual as opposed to social nature of this elitism. And it posits it as a problem at the root of countercultural discourse today: the first division between ‘hip’ and ‘square’ having set

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Introduction: Romanticism, Humanism and the Counterculture,ity. Sketching the Beats as both the kind of perfectionists Pound and his allies abhorred, and unexpected sceptics, this chapter sets up paradoxes that will frame the rest of the book: between progressive aesthetics and exclusionary political ideology, and between an emancipatory, democratic vision

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Henry Miller and the Beats: An Anti-humanist Precedent, corpses’ of Europe, and Miller’s surprising literary relationship with Ezra Pound, this chapter analyses that complicated ideological marriage at the root of American countercultural literature (Orwell 2009, ‘Inside the Whale.’ In ., ed. by George Packer, pp. 95–137. London: Harvill Secker. Origina

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