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Titlebook: Anglo-Irish Modernism and the Maternal; From Yeats to Joyce Diane Stubbings Book 2000 Diane Stubbings 2000 Modernism.Seán O’Casey.William B

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Disclosing Ritual and Challenging the Symbolic: Synge’s Marginal MothersGaelic League by a Hedge Schoolmaster’, the letter criticized the ‘senile and slobbering … doctrine of the Gaelic League’,. which not merely denied the Irish their place within Europe (for fear of being branded ‘English’) but, more deleterious still, suppressed the Irish imagination. Not satisfied w
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Rebellion and Revolution: Couvade and (Self-)Creationd the suffusion of violence that followed is painted as the bitter climax of a long-running family saga – sons rising against not merely British imperialism but also against father-figures whose own response to the ‘English occupiers’ was deemed to have been ‘compromised’. ‘The Irish father,’ Kiberd
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Playing Her Part Too Well: the Mother and Her Construct in Yeats, 1917–39which social and symbolic orders are both sustained and subverted. The development of his work saw a concomitant development in the subtlety of the mother-figure’s operation within the text. The poems embellished a focus on the mother’s social function with themes of the mother’s mediation between c
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‘sad and weary I go back to you, my cold father’t to the tumult, the calm, the meandering of her journey from birth to death.. After a turbulent, perambulating and often disorienting odyssey,. the reader is swept up by Anna Livia’s ‘final’ soliloquy and carried to the eventual peace and calm that comes from the acceptance of death and her passage
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Disclosing Ritual and Challenging the Symbolic: Synge’s Marginal Mothers both the inherent value of the Irish spirit and imagination, and the artistic developments of modern Europe: Synge perceived the ‘possibility of creating a European modernist art which would … draw on the Gaelic tradition – a national art which would, for all that, be international in appeal.’
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