Titlebook: Anglo-Irish Modernism and the Maternal; From Yeats to Joyce Diane Stubbings Book 2000 Diane Stubbings 2000 Modernism.Seán O’Casey.William B

maudtin

Generalize

Panacea

‘sad and weary I go back to you, my cold father’t to the tumult, the calm, the meandering of her journey from birth to death.. After a turbulent, perambulating and often disorienting odyssey,. the reader is swept up by Anna Livia’s ‘final’ soliloquy and carried to the eventual peace and calm that comes from the acceptance of death and her passage into the ‘arms’ of her oceanic progenitor.

油膏

Book 2000ement of the Irish modernists. Essentially, the seminal Irish modernists - Moore, Joyce, Synge, Yeats and O‘Casey - resisted those mother-figures sanctioned by cultural discourses, re-writing her in order to elude her. In this, they not only re-constituted language and representation, they accessed and re-figured their own creative selves.

反叛者

背叛者

Home and Hearth: the Mother’s Social Boundaries of culture, she must remain unacknowledged, confined to a pre-designated reproductive function. As mother, her material and economic possibilities are severely limited.’. These limitations are (re)enforced by the representations of the mother-figure inherent to that society, representations which a

闲逛

‘A slut among nations’: the Mother’s Procurement of the Child in the Works of George Moore gathering that ‘he felt. … like a man who having deserted his mother in her poverty returned to her when she had become wealthy’.. A mere ten years later, Moore would desert that same mother, fearing that in the guise of Cathleen ni Houlihan she ‘might over take me’. Mother-Ireland, as represented

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Polydipsia

Denying the Mother: Escaping Confirmation in Family and Father in the Work of James Joyce, 1907–14he millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race.’ What few critics include is the image of the mother with which the diary entry begins: ‘Mother is putting my new secondhand clothes in order,’ Stephen writes. ‘She prays now, she s

无能力

Origin, Space, Opposition: Constructing, Containing and Privileging the Maternalint in time from which it is drawn. It is not coincidental that the mother within this narrative, Yeats’s mother, is absented from the speaker’s beginning, and that her absence is marked throughout the .. She does not make her first appearance until the final paragraphs of Chapter IV, her image link