Titlebook: An Old Melody in a New Song; Aesthetics and the A Luca Tateo Book 2018 Springer International Publishing AG, part of Springer Nature 2018 A

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Introduction: The Art of Psychology,ve”; the latter is a way of producing meaning that poses the process of experiencing itself as an object. However, I do not oppose “aesthetic” to “rational,” as I think the authors in this volume clearly demonstrate that aesthetics are a legitimate form of knowing.

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Playing in Streams of Knowledge: Multimodality in Perception and Action,world. Finally, I suggest that if we consider top–down processing as a means of interacting with a meaningful world (one where our perceptions are seen as opportunities for action), then our aesthetic experiences can be seen as opportunities for transformation.

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Social Representations as Social Forms and Aesthetic Phenomena: Dialogue Between Moscovici and Simmd the reified universes (Moscovici) with, second, forms of sociation and socialisation (Simmel) through the tension between contextualisation and decontextualisation as the basis for understanding how social representations can have an aesthetic import.

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Book 2018ectives. It offers a comprehensive discussion of the history of aesthetics and psychology from an international perspective, with contributions by leading researchers from Serbia, Austria, Portugal, Norway, Denmark, and Brazil...The first section of the book aims at summarizing the debate of where t

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An Old Melody in a New Song978-3-319-92339-0Series ISSN 2523-8663 Series E-ISSN 2523-8671

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https://doi.org/10.1007/978-1-4684-0224-7e deepest abysses of terror and abjection (Tateo, 2017a, 2018). The word “aesthetic” has the narrow meaning of a pleasant experience of beauty, pleasure of contemplation, or a mode of artistic consumption peculiar to contemporary societies. In this volume, the term “aesthetic” means a form of human

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https://doi.org/10.1007/978-1-4684-0224-7or the study of sensual perception in general. This perspective changed, however, just one generation later, when aesthetics was defined in the narrower sense of a theory of beauty and the fine arts. Kant opposed the application of the term “aesthetics” to a critique of taste and suggested giving up