Titlebook: An Introduction to the Greek Theatre; Peter D. Arnott Book 1959 Peter D. Arnott 1959 antiquity.Greek.history of literature.literature.thea

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The Theatre and its Equipment,he most important part of the theatre, and its distinctive feature, was the place where the chorus sang and danced. Rain is rare in Greece, and the people did not need to bother with covered theatres; the dancing-place, or ., was simply a large level space cleared at the foot of a rise from which th

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Later Tragedy: Euripides and the ,,em. They are the self-appointed critics of the times, declared enemies of complacency, woolly thinking and narrow-mindedness. Such a one was Euripides. If we may call Aeschylus the Marlowe of the Greek theatre — at least the Marlowe of . and . — then Euripides was its Galsworthy or Shaw, though with

Lasting

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Roman Comedy: Plautus and the ,,literary traditions of its own, rough and unpolished but with a crude vigour that would have developed with time. Faced with the finished products of Greek culture this native tradition quickly succumbed. Greek influence pervaded the arts of the Roman empire for centuries. At best, it inspired endur

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Problems of Translation,ers. With the decline of classical studies, translation ceased to be a mildly amusing literary exercise and became an art in its own right. It is the translator’s task to bridge the gap of centuries and inspire in the modern public the same emotions that the works aroused in the Greeks at first perf

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Ancient and Modern,appy hunting-ground for historian and archaeologist. Besides the important centres, Athens, Corinth, Epidauros, Delphi, Delos, there are the remains of many small theatres built for local festivities. These are especially plentiful in the country round Athens — Oropus and Thoricos, for example, and

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