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Titlebook: American Women‘s Ghost Stories in the Gilded Age; Dara Downey Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

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,‘Handled with a Chain’: Gilman’s ‘The Yellow Wall-Paper’ and the Dangers of the Arabesque, houses, for the ills found within it. Gilman therefore urged that drunkenness, infidelity, domestic violence, infant and maternal mortality and illness, juvenile delinquency, and psychological disorders such as neurasthenia should not be seen as symptoms of the moral degeneracy of those who display
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https://doi.org/10.1007/978-3-642-90908-5 left past inhabitants seeking help from the current owners of the property’, and uncovering that injustice tends to lay the ghost to rest and terminate the haunting, along with the discomfort it causes.. The trouble is that this formulation never quite works in the United States.. American gothic i
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Die Verteilung der Fernsehsignale,try as one of unmixed influence, instead of studying with jealous care that so large a force be wisely guarded and restrained.’. Her point, throughout ., as well as her phenomenally successful . (1898) and her feminist utopian novel . (1915), was that the middle-class home in Gilded-Age America was
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Die Grundlagen der Fernsehtechnikrancisco-based writer (once a close friend of Ambrose Bierce) suggests as much about the public perceptions of female authors, the anonymity of city life, and the slippery nature of Dawson’s own characters, as it does about the woman herself. The title story, ‘An Itinerant House’ (1896), recounts ho
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