Titlebook: American Puppet Modernism; Essays on the Materi John Bell Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 America.Anal

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Book 2008hin 12 weeks. This study analyses the history of puppet, mask, and performing object theatre in the United States over the past 150 years to understand how a peculiarly American mixture of global cultures, commercial theatre, modern-art idealism, and mechanical innovation reinvented the ancient art of puppetry.

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Playing with Stuff: The Material World in Performance,nson and his colleagues in the 1960s, especially as a means of mass-media entertainment for all ages, as early childhood education, and as advertising. And we also mean another side of twentieth-century American puppetry, that strain initiated by Bread and Puppet Theater director Peter Schumann, who

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Shalako Puppets and Nineteenth-Century Ritual,ust have been occasions in November or December when Spanish visitors to the Zuni pueblo would have seen a communal ritual centered on the performance of larger-than-life Shalako puppets. Shalako figures are giant rod-puppets about twelve-feet tall whose prominent feature is a large wooden birdlike

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Puppets and Propaganda: 1930s Parades in New York City,metimes cannot agree upon what is and isn’t a puppet. Heated discussions about whether shadow figures, special effects in film, stop-action animation, giant puppets, and toy theatre productions can actually be termed puppetry are not uncommon among puppeteers today. In addition, some artists and per