Titlebook: American Poetry: The Modernist Ideal; Clive Bloom,Brian Docherty Book 1995 Palgrave Macmillan, a division of Macmillan Publishers Limited

KIN

愤慨点吧

inspired

Objectivism, to the point was how they differed: what they thought they were when they were on their own with the paper or the typewriter; what they thought of Pound and how that had changed over the years and changed them with it. That’s a thought we’d share with them, that difference was more important.

缓和

烤架

978-0-333-53289-8Palgrave Macmillan, a division of Macmillan Publishers Limited 1995

Canyon

土坯

Sayan Ray,Sanjoy Sanyal,Pulak Senguptanal tactic: ‘the name was invented to launch H.D. and Aldington’..This statement reads disingenuously because, at the time, Pound’s activities on behalf of Imagism formed part of a sustained programme for encouraging experimentation in poetry, and his ‘cautions’ (as he called them), ‘A Few Don’ts’,

翅膀拍动

A Prose Interlude: The Early Stories,sing a ‘wondrous suggestiveness’ that is ‘eternally incapable of being translated into words’. The epistemological and creative journey to ‘some thoughtful thing of absolute Truth’ is, by definition, taxing and one major lesson he fails to recognise in this proto-modernist text is urgent for the mod

Galactogogue

PACT