Titlebook: American Empire and the Arsenal of Entertainment; Soft Power and Cultu Eric M. Fattor Book 2014 Eric M. Fattor 2014 broadcasting.communicat

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https://doi.org/10.1007/978-3-642-94430-7nitial stages of this development began in the heady days of the Industrial Revolution when Great Britain (and later the United States) supplemented traditional deployments of military capability with the instruments of soft power. In the succeeding years, however, information and entertainment beca

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Introduction,their use. Aside from the well-known events of the Arab Spring—especially the so-called Facebook Revolution in Egypt—digital media and social networking have been essential tools in all sorts of political activity.. Barak Obama’s shrewd use of social media capabilities played a pivotal role in his e

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,Overcoming Isolationism: Film, Radio, and the Rise of the American Empire (1898–1945),ecourse to physical coercion. By creating attractive content distributed over platforms capable of ever-growing dispersion, decisions and policies made by Britain’s ruling assemblage of power could be rendered palpable to a mass audience that might otherwise have been skeptical or hostile. Due in pa

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,The Postindustrial Renewal: Guerillas, Partisans, and the Triumph of the American Empire (1965–1989ated state institutions, labor, and private industry as well as an international economic order based on the principles of free trade and finance. By 1965, however, tensions embedded in these configurations of power became apparent as increased outbursts of activism among African-Americans, students

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