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Titlebook: Alan Hollinghurst and the Vitality of Influence; Allan Johnson Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 20

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Hien V. Nguyen,Sharon X. Huang,Yuan Xueour with critics by the end of the twentieth century. In spite of a certain continued currency of Harold Bloom’s influence tetralogy, readings of literary influence were seen through much of the 1980s and 1990s as painfully old-fashioned, or, at worst, as lacking objectivity and neutrality, and, therefore, interpretativelv unstable.
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Influence, Image, and the Movement of Time,aders, once again, to consider ‘generations’ of authorship, and the conduction of influence between these generations. If it might seem that the topic of influence is as fundamental to literary studies as ‘plot’, ‘genre’, or ‘style’, it is, in point of fact, a term that had largely fallen out of fav
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Almost Always: Influence, Ecstasy, and Architectural Imagination in The Spell,ion to the next and defines one generation in contrast to another. But in the case of both novels, this record of particular innovation is subjected to the even more capable authority of living influences. The first-person narrators of both . and . . contrive to stage their own influential energies
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