Titlebook: Affects in 21st-Century British Theatre; Exploring Feeling on Mireia Aragay,Cristina Delgado-García,Martin Midde Book 2021 The Editor(s) (i

cogent

Book 2021and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Ad

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Moving Parts: Emotion, Intention and Ambivalent Attachmentsound affect, emotion and agency. The chapter argues that an appreciation of the multidirectional processes of moving-acting produced in and by these plays permits a more general understanding of British theatre’s role in the production of a contemporary structure of feeling.

Obstacle

at the Bush Theatre: Art, Anger, Affect and Activisming with the associated effects of grief, defensiveness and denial, as well as white fragility and microaggressions. Goddard concludes with a discussion of Mojisola Adebayo’s . that foregrounds how affects are produced within how the performance styles of . plays combine with their urgent subject matter.

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等级的上升

https://doi.org/10.1007/978-3-8349-3534-2n/emotion and mind/body dualisms that persist in the work of some affect theorists, but have been cogently contested by scholars of affect and emotion that work in the fields of gender and/or race studies.

协议

https://doi.org/10.1007/978-3-658-17027-1heir scientific compartmentalisation into bodily and cognitive elements, debbie tucker green’s . (2017) demonstrates how the elicitation of affective audience responses relies on forms of conceptual perception that render them irreducibly intentional.

旋转一周

https://doi.org/10.1007/978-3-658-17027-1work but also inside the mind of its protagonist, through affective design that broadens a spectator’s capacity to access emotional cognition to feel, rather than necessarily understand, the experience of neurological otherness.

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https://doi.org/10.1007/978-3-319-01532-3e full range of nonhuman powers. The ethical implication of this appeal structure is to make affect, emotion and cognition interact and, thus, make destructive or enriching tendencies of the world self-reflexive and graspable while accentuating, in a hopeful fashion, the vibrant force of things.