Titlebook: Affects in 21st-Century British Theatre; Exploring Feeling on Mireia Aragay,Cristina Delgado-García,Martin Midde Book 2021 The Editor(s) (i

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LITHE

cornucopia

Instantaneous

Love and the Intentionality of Affect in Lucy Prebble’s , and debbie tucker green’s e stands opposed to a notion of affect as radically entwined with conscious awareness, cognitive activity and processes of sense-making. This chapter adopts the position that a sharp demarcation of bodily from mental aspects of affective experience artificially separates what manifests only as mutua

laparoscopy

machination

at the Bush Theatre: Art, Anger, Affect and Activism the interaction between Black citizens and the police is explored in the . project at the Bush Theatre. The chapter uses case studies of key plays from the 2017 production—Reginald Edmund’s ., Idris Goodwin’s . and Rachel De-Lahay’s .—to consider how they probe ways of “talking about race” and deal

GEM

“Feeling Feminism”: Politics of Mischief in Contemporary Women’s Theatrer affective theory, the chapter examines how contemporary feminist theatre uses mischief through the staging of willful subjects who challenge popular norms of happiness and playfully disrupt neoliberal capitalist and postfeminist narratives of progress. Fragkou specifically explores how mischief as

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