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Titlebook: Aerial Play; Drone Medium, Mobili Julia M. Hildebrand Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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发表于 2025-3-23 12:37:52 | 显示全部楼层
Hanhua Zhu,Zhijun Wu,Yongli Zhaoc visualization and vision. Ultimately, drone flying and image-taking curate a “drone-mindedness,” an enhanced environmental curiosity and awareness. I conclude with thoughts on the ambiguous nature of the consumer drone gaze as both playful and powerful, externally extending and internally attuning.
发表于 2025-3-23 15:32:44 | 显示全部楼层
Hanhua Zhu,Zhijun Wu,Yongli Zhaond affects come into play. Drawing on the metaphor of dancing, I argue that in such processes of affective association, agential negotiation, spatial intervention, and communicative disruption, user and drone are entangled as mobile companions.
发表于 2025-3-23 21:30:44 | 显示全部楼层
Book 2021 consumer drones from the lenses of media ecology, mobile communication, mobilities research, and science and technology studies. In this provocative ethnography, Julia M. Hildebrand discusses camera drones as mobile media for meaningful play. She thus widens perspectives onto the flying camera as f
发表于 2025-3-24 01:33:11 | 显示全部楼层
Understanding (with) the Drone,nd emotions. Ultimately, I argue for the value of a larger “auto-drone” view for researchers to consider their own . within research processes and acknowledge their respective relational emplacements from a distanced and detached top-down perspective.
发表于 2025-3-24 05:07:26 | 显示全部楼层
Situating Hobby Drone Practices,ly “high profile” when editing, sharing, and live-streaming their drone imagery online. Ultimately, the assemblage-perspective brings together aviation-related . socio-cultural concerns relevant for understanding recreational drone ecologies and mobilities in situ.
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Understanding (with) the Drone, and metaphorical lens for research into physical, corporeal, virtual, communicative, and imaginative mobilities. In particular, I concentrate on the example of drone-logs, the juxtaposing of sky video with ground audio, as an innovative, technographic method for video ethnography and elicitation. A
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