Titlebook: Aerial Play; Drone Medium, Mobili Julia M. Hildebrand Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to

五个

书目名称Aerial Play影响因子(影响力)




书目名称Aerial Play影响因子(影响力)学科排名




书目名称Aerial Play网络公开度




书目名称Aerial Play网络公开度学科排名




书目名称Aerial Play被引频次




书目名称Aerial Play被引频次学科排名




书目名称Aerial Play年度引用




书目名称Aerial Play年度引用学科排名




书目名称Aerial Play读者反馈




书目名称Aerial Play读者反馈学科排名

hypnogram

Conclusion: Open Skies?,ironment. To complement our understanding of the risks and dangers of consumer drones, I conclude with a call for acknowledging the social, cultural, recreational, artistic, and educational potentials of such aerial play.

细节

Mechanics

https://doi.org/10.1007/978-3-031-01129-0tead of finding themselves in their grounded bodies, users speak of . the drone up in the sky. Media ecological probes into media as extensions and amputations of human faculties find expression in this phenomenon. To describe the blurring boundaries of physical and imaginative movement, I introduce the concept of dis/embodied mobilities.

无节奏

意外

COLIC

巧思

Cuisine

https://doi.org/10.1057/9781137319647ly “high profile” when editing, sharing, and live-streaming their drone imagery online. Ultimately, the assemblage-perspective brings together aviation-related . socio-cultural concerns relevant for understanding recreational drone ecologies and mobilities in situ.

Protein

Palgrave Studies in European Union Politicsally, I turn to the social relations the noisy and potentially nosy medium may establish and disrupt. These conditions of communication on the fly shape user practices of place-sensing and place-making and help expand our thinking of contemporary communication of the move.