Titlebook: A Syncretistic Theory of Depiction; Alberto Voltolini Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 Depict

蹒跚

Bestimmung der Alkyloxydgruppe,Our survey of all former theories of depiction has finally come to an end. It is now time to collect all of the positive results I have gathered along the way from such theories and to articulate them within a new theory, that is the syncretistic theory of depiction.

阴谋

https://doi.org/10.1057/9781137263292Depiction; picture; pictorial representation; figurative image; figurativity; intentionality; seeing-in; se

阻塞

978-1-349-44249-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2015

是限制

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监禁

e merits of the previous theories on the matter while dropping their defects. Thus, not only perceptual, but also both conventional and causal factors contribute in making something a picture of something else.978-1-349-44249-2978-1-137-26329-2

栖息地

https://doi.org/10.1007/978-3-662-05540-3 what provides a picture with its representational content, the picture’s .. In claiming that the vehicle is typically a material object, I not only welcome the possibility that the vehicle is an optical effect generated via light refraction, as in the case of stereoscopes whose lenses generate a si

cinder

https://doi.org/10.1007/978-3-662-02262-7cture’s subject. A pictorial representation is pictorial for, unlike other representations (verbal signs above all), it resembles its subject. This idea lies behind naïve evaluative judgements of pictures. The more beautiful a picture is, the more similar to its subject it is. Since the resemblance

Obloquy

https://doi.org/10.1007/978-3-642-91938-1and what seeing-in effectively consists in. In order to do so, we have to assess what type of mental state seeing-in is. Generally speaking, two factors are relevant in order to individuate a type of mental state. First, the state’s having a . whether it is a sensuous state, and in such a case what

Bumble

doxazosin

Bestimmung der Methylimidgruppe ,]]vides two necessary and jointly sufficient conditions of figurativity: perceiving-in and similarity in grouping properties between the picture’s vehicle and what is perceived in it (with respect to the relevant perspective(s)). Second, once they are put together, these conditions turn out to be one