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Titlebook: A History of Six Ideas; An Essay in Aestheti Władysław Tatarkiewicz Book 1980 PWN—Polish Scientific Publishers—Warszawa 1980 Aristotle.Plat

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,Die Newton’sche Gravitationstheorie,ssical times; whether they corresponded to the structure of the phenomena or whether human conformity was at work, suffice it that the great divisions of phenomena, their most general categories, have persisted over the centuries with striking tenacity.
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,Allgemeine Relativitätstheorie,estigated; the nature of the mental attitude required has been enquired into. It has been deemed to be the main issue of aesthetics; It has been regarded, in an exaggerated way, as the sole issue, other issues being illusory and unscholarly.
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Book 1980of study, or as the history of the questions that have been raised and resolved in the course of its pursuit. The earlier History of Aesthetics (3 volumes, 1960-68, English-language edition 1970-74) by the author of the present book was a history of men, of writers and artists who in centuries past
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,Die Newton’sche Gravitationstheorie,ame thing as ‘art’ does today. The line that joins the latter contemporary expression with its antecedents is continuous but not straight. Over the years the sense of the expressions has altered. The changes have been slight but constant and over the millenia have made the sense of the old expressions entirely different.
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Gravitomagnetismus: Lense-Thirring-Effekt,m from the Greek in order to designate the arts. The ancient Greeks used these expressions, but for the most part in another sense. Theirs was a much broader and more colloquial meaning, not always restricted to artistic matters.
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Vorläufer der modernen Gravitationstheorieion is erroneous. A subjectivist theory of beauty existed in early antiquity and in the Middle Ages, while the modern period long retained the objectivist theory. The most that can be said is that in ancient and mediaeval aesthetics the objectivist theory was predominant, and the subjectivist theory so in modern times.
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