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Titlebook: A History of Literature in the Ming Dynasty; Shuofang Xu,Qiuke Sun Book 2021 Zhejiang University Press 2021 Ming Dynasty.History of Litera

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https://doi.org/10.1007/978-981-16-2490-2Ming Dynasty; History of Literature; Literature Research; Literature school; Full-length Novels; Tang Xia
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Der Zauberlehrling bastelt ein Gehirn,y are the results of the collective creation from the accumulation of many generations. During the period from the reign of Jiajing to the reign of Wanli (1522–1620), these novels were successively adapted, written, and published by literati. The years of publication seemed to be sparse, and it is c
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https://doi.org/10.1007/978-3-0348-6486-2es. . by Lu Tiancheng (1580–1618) is the first credible Chinese novel created individually so far. It was written around Wanli 27th (1599). Since then, there were still novels of cumulative collective writings by generations coming out, but individual creation had emerged and was gradually prevalent
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https://doi.org/10.1007/978-3-322-90307-5echoed the Early Seven Scholars, and re-planted their flag of retro. The Gong’an School advocated the modern style and spirituality to crack down the retro trend of the Seven Scholars. The Jingling School opposed both the Latter Seven Scholars as well as the Gong’an School and found a new way out of
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,Kants Lehre von der ‘Omnitudo Realitatis’,Dynasty. At the beginning of the Ming Dynasty, The tendency of singing and dancing in Zaju continued. The length of Zaju became shorter and shorter, with one or two episodes. The tunes came both the Northern and the Southern areas, and the Southern tunes were more dominant. It can‘t be said that the
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Nicht-wahrnehmbare Marken-Bausteineity of literati legends. Wei Liangfu, Liang Chenyu and Shen Jing had all made great contributions to it. This is a long process of development, which could not possibly be completed by several dramatists in a certain period. There are few documents recording its specific evolution, and the limited w
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