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Titlebook: A Corpus of Rembrandt Paintings V; The Small-Scale Hist Ernst Wetering Book 2011 The Editor(s) (if applicable) and The Author(s), under exc

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期刊全称A Corpus of Rembrandt Paintings V
期刊简称The Small-Scale Hist
影响因子2023Ernst Wetering
视频video
发行地址Provides in a thematic approach complete and comprehensive information about Rembrandt’s working methods and the function and meaning of his works.Reveals a profound insight into Rembrandt’s original
学科分类Rembrandt Research Project Foundation
图书封面Titlebook: A Corpus of Rembrandt Paintings V; The Small-Scale Hist Ernst Wetering Book 2011 The Editor(s) (if applicable) and The Author(s), under exc
影响因子.This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt’s paintings. This is the work of ‘The Rembrandt Research Project’, consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt’s own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt’s paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of different hands. The new approach yielded much more information not only about Rembrandt’s working methods but also about the function and meaning of his works. This expanded field of view meant that etchings and drawings with similar themes also needed to be included. In 2005 Volume IV appeared, devoted to Rembrandt’s self-portraits, in painting, etching and drawing. Volume V consists of a catalogue and analysis of the so-called small-scale history and genre paintings. That theme was chosen because this typ
Pindex Book 2011
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On quality: Comparative remarks on the functioning of Rembrandt’s pictorial mindion stresses the interaction of the spiritual and the social among the puritans; it asserts the mediation of individual spiritual experience through social exchange. It also allows for an emphasis on the puritans’ common qualities of character, mind and imagination. The puritan impulse — that drive
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Rembrandt — Susanna and the Elderssembled’. an idealised locus through strategies of displacement and sublimation, commentators have animatedly exchanged views on the poem’s geographic and psychic .. Sensing that ‘Tintern Abbey’ ‘is an especially difficult work to situate’, Levinson sought to ‘reconstruct’ a ‘scene of composition’ a
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Pupil of Rembrandt with intervention by Rembrandt — The toilet of Bathsheba (free variant after V 1)on us — life as the word is commonly or vulgarly used, a thing distinct from literature. Relatively, and by contrast with the red blood of this life, Byron’s purely literary judgments may seem pale indeed. After looking over the audience at Covent Garden one evening and seeing there ‘the most distin
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