Titlebook: Writing the Lives of Writers; Warwick Gould (Professor of English Literature),Th Book 1998 Palgrave Macmillan, a division of Macmillan Pub

低三下四之人

口味

,‘Witch’ or ‘Bitch’ — Which? Yeats, Archives, and the Profession of Authorship,h Sir Frederick Macmillan and his successors, to that of his wife and executrix with Harold Macmillan, his trusted publisher’s reader Thomas Mark, and Mark’s protege, Mr Tim Farmiloe, who is now Director of Macmillan Press.

滔滔不绝的人

NEG

可行

nepotism

,‘“The Past” is with me, seen anew’: Biography’s End in Dorothy Richardson’s ,pes of both. In the light of this hybridity, what status does the material of autobiographical fiction hold for either the biographer or the literary critic? How, in effect, is one to write the life of a writer who has already fictionalised it? And, similarly, how is one to analyse a text which is a complicated self-representation?

GEAR

Am I Afraid of Virginia Woolf?, Plath, . (1989), came out of — and caused — as much fear as fame, the biographer’s as well as her subject’s. Fear, just as much as fame, could indeed be thought of as ‘the spur’ for any biographer. It certainly plays its part in a biographer’s motives and emotions.

刺耳的声音

A Matter of Life and Death,with Melvin Bragg. For many viewers, the interview was a moving experience. Potter was dying on screen, breaking off periodically to swig from a bottle of morphine cocktail and to walk about to kill the pain of cancer of the pancreas. His wife was terminally ill. Each day, he said, he rose early to

愤慨一下

Abnormal

The Birth of the Author,gh France just in time to endorse the wild student wakes of the following year. In the United States, the Author was undoubtedly one casualty of the Vietnam War. Inside and outside universities, authority would never again command the same respect, and the letters of the name of the Author clearly f