Titlebook: Writing Ocean Worlds; Indian Ocean Fiction Charne Lavery Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license

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Charne Laveryrships have different translational issues, including acceptance and application.  As long as police practitioners and academic researchers hold distinct and different impressions of each other, the likelihood 978-1-4939-2055-6978-1-4939-2056-3Series ISSN 2192-8533 Series E-ISSN 2192-8541

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,Joseph Conrad’s Imperial Indian Ocean,es” of empire—drifters, beachcombers and criminals. The fiction produces a troubled imperial map of the Indian Ocean world, radiating out from Europe yet shadowed by the tracks of drifters who map instead a disorienting cobweb of routes. This disorientation is mirrored by the maritime modernism of C

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,Amitav Ghosh’s Subaltern Sea Histories,ge that multilingual environments present to the form of the novel, a form which is more commonly linked to a particular place and its singular language. The lascar lingua franca which Ghosh recuperates in . is a response to the radical multilingualism of the Indian Ocean world, and its recreation p

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,Abdulrazak Gurnah’s African Ocean,s another challenge to writing Indian Ocean space, the many different perspectives on, and present in, a large oceanic region. Gurnah’s formal perspectivism and dialogic structure produce the Indian Ocean as what Isabel Hofmeyr calls a “complicating sea”.

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Book 2021Arab world via a network of south-south connections that precedes and survives European imperialism. The novels and stories provide a vivid, storied sense of place on both a local and an oceanic scale, and in so doing remap the world as having its centre in the ocean and the south. .

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,Lindsey Collen’s Oceanic Feminisms,roduces Indian Ocean feminisms. Highlighting the on-going political possibilities of Indian Ocean networks and imaginaries in the twenty-first century, her work produces the Indian Ocean as an “activist sea”.