Titlebook: Writers of the Old School; British Novelists of Rosemary M. Colt,Janice Rossen (Senior Research Fe Book 1992 Palgrave Macmillan, a division

LEER

Mast-Cell

Christopher Isherwood: Autobiography as Mask,osure of his public face, kept his private face private. But, since his death in 1973, there have been several biographies and, as always, Auden has played a part in the numerous biographies of his cohorts, a shadowy figure in everyone else’s carpet.

佛刊

Introduction,The peculiar character of the decade, in terms of both literary and political history, placed them in a sobering position.. Also, major experimentation had taken place in the development of the novel. Thus novelists starting out in the 1930s, whatever else the more personal influences on them, simul

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compel

,An Aesthete in the Foundry: Henry Green’s Living, . (1929) as the best proletarian novel in English, and . (1945), set among the servants in an Irish castle, as a “unique poetic-prosaic master-piece.”. Green is a writer’s writer; his nine bittersweet comic novels have been praised by W. H. Auden, Elizabeth Bowen, Christopher Isherwood, V. S. Pritc

Fabric

雪崩

The Modernity of Evelyn Waugh,eative one. The writer’s relish for provocation undoubtedly fueled this overly generalized — and superficial — opinion. It is ironic, though, that a man whose major writings tilted at the aristocracy, debunked the philistines, and promoted art and writers who had nothing in common with dusty traditi

Atrium

Modernist in Search of an Audience: Graham Greene in the Thirties,pt resignation and disappearance of Jacques Médecin, the corrupt mayor of Nice, who ruled his Mediterranean city for more than a quarter of a century. Accompanying the article is a large color photograph of Médecin, in better days, surrounded by such glamorous celebrities as Charlotte Rampling and D

LAVA

,Running Away from Home: Perpetual Transit in Elizabeth Bowen’s Novels,er life — and with some astonishment: “Why? Am I not manifestly a writer for whom places loom large?”. In Bowen’s view, art imitates life; and this seems particularly true to her in the matter of her fictional settings, over which she exercises great deliberation: “Since I started writing, I have be

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