Titlebook: World Literature, Neoliberalism, and the Culture of Discontent; Sharae Deckard,Stephen Shapiro Book 2019 The Editor(s) (if applicable) and

表被动

,Mont Neoliberal Periodization: The Mexican “Democratic Transition,” from Austrian Libertarianism toeconfiguration of the fields of culture, politics, and economics in their relationship to each other as a fundamental trait of neoliberalization. The article seeks to create an understanding of the ways in which the materiality of those fields permits the thinking of neoliberalism in its periodization.

LAPSE

saphenous-vein

Matthew Eatoughh to the renewed interest of the 1980s. A general introduction to neural networks and learning technologies is presented in Section III. This section also includes the description of the multil978-94-017-9815-0978-94-017-9816-7Series ISSN 2191-530X Series E-ISSN 2191-5318

非实体

2634-6095 ross the neoliberal world-system, bringing together works that might have in the past been separated into postcolonial studies and Anglo-American Studies.978-3-030-05441-0Series ISSN 2634-6095 Series E-ISSN 2634-6109

赏心悦目

World-Culture and the Neoliberal World-System: An Introduction,also insists on the constitutive role of culture in the rise of neoliberalism, using illustrations from US-dominant financial derivatives and hip-hop culture and Jamaican music. Finally, we seek to differentiate the neoliberal world-system from prior periods in capitalism’s history. We argue that a

盲信者

The Long 1970s: Neoliberalism, Narrative Form, and Hegemonic Crisis in the Work of Marlon James andctatorship in Brazil and by the unfolding logic of the world-economy. Through their formal logics and stylistic mannerisms, . and . rehearse the possibilities for both reactionary and progressive class realignments in the wake of hegemonic dissolution. The precise nature of these possibilities, howe

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丛林

,Cricket’s Neoliberal Narratives: Or the World of Competitive Accumulation and Sporting Spirit in Cos the aesthetic mediation provided in recent cricket fiction from different positional locales within the world-literary system. It reads Joseph O’Neill’s first-world, transatlantic novel . (2008) written during the pre-crash/pre-austerity moment, alongside, and in relation to, . by Chetan Bhagat an

Intentional

Keeping It Real: Literary Impersonality Under Neoliberalism,interpret these works as attempts to inherit the “passion for the real” under conditions of neoliberalism. Both writers employ techniques of impersonality and depersonalization to carve out a fragile space of resistance and formalize hope in an ethico-political absolute. In doing so, they not only e

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