Titlebook: Wordsworth‘s Influence On Shelley; A Study Of Poetic Au G. Kim Blank Book 1988 Palgrave Macmillan, a division of Macmillan Publishers Limit

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HARP

敏捷

‘Proteus Wordsworth’h’s early poetry — the insinuation being that he disliked Wordsworth’s later poetry. It is interesting that Shelley apparently thought that Wordsworth’s odes were lacking, the implication being that the older poet could not follow through his own formulations, and that his odes express some kind of

冬眠

放大

Poets, Princes and Fallen Figuresharacter of his work. This can be phrased more subtly: . is Shelley’s first major poem, but . is Shelley’s first major . poem. Two questions come quickly: What took place between the writing of . in June 1812 and the composing of the poems making up the . volume of 1816? What is a ‘Shelleyan’ poem?

哀求

代理人

climax

Righting Wordsworthntification with Wordsworth and a struggle for poetic individuation. But Shelley’s engagement with the older poet goes beyond the scope of these problems to the realm of ideas: to such problems as perception, memory, mutability and, of course, the problem of poetry itself. This chapter examines aspe

hegemony

The Wind of Inspirationry necessitates taking and combining with external forces, which for Shelley are predominantly literary forces. This claim could, perhaps, be made about any poet; but in the case of Shelley it is a claim that he himself makes, not one that we, as interpreters, are required to impose or assume. Shell

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