Titlebook: Words, Music, and the Popular; Global Perspectives Thomas Gurke,Susan Winnett Book 2021 The Editor(s) (if applicable) and The Author(s), u

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William H. Gass and the (Un)popularity of Words as Musicll-integrated system of aesthetic values. His formalist commitments, which determined his reputation as a radical postmodern innovator in American letters in the 1960s and 1970s, were recognized as highbrow conservatism during the 1980s. This chapter seeks a connection between Gass’s concept of lite

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无聊的人

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Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular,work-specific and intermedial meaning-production. Both case studies demonstrate that theoretical concerns in intermediality and in popular music studies gain from approaching borders and contexts with a mindset that interlaces meticulous attention to variations of word-music relations with in-depth

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臭了生气

A Melopoetic Struggle between East and West: Mickiewicz and the Popular Idiomn terms of an ambiguous orientalism, eloquently re-appropriated by the Ukrainian rock band. It is my contention that Mickiewicz’s politically charged melopoesis is here recast as popular music to make a statement on Ukraine’s precarious position between East and West.