Titlebook: Women, Science and Fiction; The Frankenstein Inh Debra Benita Shaw Book 2000 Palgrave Macmillan, a division of Macmillan Publishers Limited

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书目名称Women, Science and Fiction影响因子(影响力)




书目名称Women, Science and Fiction影响因子(影响力)学科排名




书目名称Women, Science and Fiction网络公开度




书目名称Women, Science and Fiction网络公开度学科排名




书目名称Women, Science and Fiction被引频次




书目名称Women, Science and Fiction被引频次学科排名




书目名称Women, Science and Fiction年度引用




书目名称Women, Science and Fiction年度引用学科排名




书目名称Women, Science and Fiction读者反馈




书目名称Women, Science and Fiction读者反馈学科排名

鄙视

nautical

Book 2000 the history of women‘s science fiction writing from the turn of the century to the early 1990s, analysing how women writers have utilised the genre to critique the ideology that informs what counts as scientific knowledge.

DAMP

ters trace the history of women‘s science fiction writing from the turn of the century to the early 1990s, analysing how women writers have utilised the genre to critique the ideology that informs what counts as scientific knowledge.978-0-230-28734-1

飞来飞去真休

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MOTTO

肌肉

辩论

From Neva Boyd to Viola Spolin: How Social Group Work in 1920s’ Settlement Houses Defined Collectivese in the 1920s, Viola Spolin (the force behind the popularization of improvisation in US theatre). It further considers how Spolin’s reworking of Boyd’s ideas shaped the practices of 1960s’ companies, such as the Open Theater and the Living Theatre, which used improvisation as their primary means o

AWL

ECG769

Einleitung und Problemstellung,rkenbildung im Bekleidungseinzelhandel wie H&M und Zara haben mit ihren Marken bereits eine Monopolstellung in der Psyche des Verbrauchers erreicht.. Träger der Markenbildung ist hierbei nicht ein Produkt, sondern die Einkaufsstätte bzw. der Betriebstyp.