| 书目名称 | Women, Pleasure, Film | | 副标题 | What Lolas Want | | 编辑 | Simon Richter | | 视频video | | | 图书封面 |  | | 描述 | .The Lola film is a distinct subgenre of the woman‘s film in which woman‘sclaim to pleasure is entertained without recourse to the figure of the femmefatale. Lola embodies a recognizable set of characteristics through which overtime a select group of directors, actors, and audiences have responded in waysthat do not succumb to the imperatives of gender. There are over thirty-fiveLola films, starting with Marlene Dietrich in The Blue Angel: many are German, others areFrench, American, British, Italian, and Spanish, but her claim has alsoresonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines.Lola can be working class, lesbian, transgender, ethnic, suburban, or anycombination. This book examines Lola as a specific and enduring aspect of theearly twentieth-century "new woman": woman‘s forthright claim to pleasure on herown terms, liberated, if only as a cinematic fantasy, from the usual constraintsof sex and gender.. | | 出版日期 | Book 2013 | | 关键词 | film; gender; women | | 版次 | 1 | | doi | https://doi.org/10.1057/9781137309730 | | isbn_ebook | 978-1-137-30973-0 | | copyright | Palgrave Macmillan, a division of Nature America Inc. 2013 |
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书目名称Women, Pleasure, Film影响因子(影响力)
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书目名称Women, Pleasure, Film网络公开度
书目名称Women, Pleasure, Film网络公开度学科排名
书目名称Women, Pleasure, Film被引频次
书目名称Women, Pleasure, Film被引频次学科排名
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发表于 2025-3-21 16:26:54
