Titlebook: Women in Medicine in Nineteenth-Century American Literature; From Poisoners to Do Sara L. Crosby Book 2018 The Editor(s) (if applicable) an

会议记录

书目名称Women in Medicine in Nineteenth-Century American Literature影响因子(影响力)




书目名称Women in Medicine in Nineteenth-Century American Literature影响因子(影响力)学科排名




书目名称Women in Medicine in Nineteenth-Century American Literature网络公开度




书目名称Women in Medicine in Nineteenth-Century American Literature网络公开度学科排名




书目名称Women in Medicine in Nineteenth-Century American Literature被引频次




书目名称Women in Medicine in Nineteenth-Century American Literature被引频次学科排名




书目名称Women in Medicine in Nineteenth-Century American Literature年度引用




书目名称Women in Medicine in Nineteenth-Century American Literature年度引用学科排名




书目名称Women in Medicine in Nineteenth-Century American Literature读者反馈




书目名称Women in Medicine in Nineteenth-Century American Literature读者反馈学科排名

黄油没有

肉体

钢盔

慢跑鞋

Introduction: Making the Medicinal Poisoner,profession, was facilitated by a broader cultural change in metaphors: namely, in the figure of the poisonous woman. Historically, the specter of the poisonous woman has been used to exclude women and minorities from full citizenship, but democratizing reformers avoided reframing the dangerous figur

星星

,A Quarrel of Poisons: Harriet Beecher Stowe’s Homeopathic Poisoner,ave typically considered Stowe’s domesticity as central to her work, but Crosby uncovers how Stowe’s other vocation as a lay homeopathic physician enabled her transition into an activist author. The chapter details how a homeopathic theory of poison helped Stowe reconceptualize the female poisoner a

Rct393

,Playing Poison: Mary Webb’s Antidote to the Tom Shows,l “true crime” pamphlets and “Tom shows”—the wildly popular unauthorized dramatic adaptations of .—tried to squeeze Harriet Beecher Stowe’s medicinal poisoner back into old, misogynist, and racist frames, such as the Democratic poisoner. Crosby, however, observes that Stowe pushed back by partnering

inspiration

averse

The Lady Doctor and the Vamp: How Louisa May Alcott, Theda Bara, and Thomas Dixon, Jr., Killed the nd the female vampire. The first supported an egalitarian and feminist version of the nation and the second was deployed to define American civilization as “Anglo-Saxon” and masculine. In this chapter, Crosby examines how writers like Louisa May Alcott, Sarah Orne Jewett, and Elizabeth Stuart Phelps

transient-pain