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Titlebook: Women in Ancient Societies; An Illusion of the N Léonie J. Archer (Research Fellow in Energy and th Book 1994 Palgrave Macmillan, a divisio

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Social Stereotypes and Historical Analysis: The Case of the Imperial Women at Rome,elevision adaptation of, Robert Graves’ work, .. . But as this extract from the . of Tacitus (c. AD 56–C.115), decrying the rise of Agrippina II shows, Graves had no need to use his creative energies to devise these characters: such depictions of Roman imperial women can be found throughout ancient
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Early Christianity and the Discourse of Female Desire,ntion from Christian writers — almost exclusively male — both as members of the Christian community and as the subject of discourse. Much of the latter was negative in character, expressing suspicion of the female and denying women a place equal to that of men in the Christian dispensation. Yet it c
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Reading Between the Lines: Sarah and the Sacrifice of Isaac (Genesis, Chapter 22), from readers and commentators over the centuries. Modern reactions to the biblical narrative are for the most part very different from those of the past, and indeed one can almost use the exegesis of this chapter as a mirror in which to discover the differing sensibilities of different ages reflect
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Public and Private Forms of Religious Commitment among Byzantine Women, Empire between the sixth and eleventh centuries AD — a development predicated on their gradual exclusion from displays of public religiosity. Over this long period, as the Church consolidated its organisation through an administration grafted on to Roman imperial government, the ecclesiastical hier
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Women in Anglo-Saxon Poetry,tion.. Students of Anglo-Saxon society have used Old English poetry along with archaeology, art and legal documents as evidence for contemporary life. However, this application of literary material has certain inherent limitations since, unlike the other sources of information, we have little or no
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Recycling Ancient Material: An Orthodox View of Hindu Women, The word . says it all: ‘she whose vow (.) is to her husband (.)’.. After a blameless life, such a woman ideally dies before her husband. If by some mischance she does not, she may put that wrong right by taking her own life on her husband’s pyre;. she is then worshipped as a goddess, the perfect e
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Women in Anglo-Saxon Poetry,absolute knowledge about the date or authorship of the poems, the kind of audience for which they were intended or, indeed, the relationship of the extant texts — all in manuscripts dating from the end of the period — to the poems as first composed.
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