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Titlebook: Women Writing Fancy; Authorship and Auton Maura Smyth Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Fancy.Women‘s Writing.

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发表于 2025-3-21 19:52:30 | 显示全部楼层 |阅读模式
书目名称Women Writing Fancy
副标题Authorship and Auton
编辑Maura Smyth
视频video
概述Revitalizes an important but dismissed trope in literary history and the history of gender studies.Examines a wealth of source material including works by Margaret Cavendish, Aphra Behn, Delarivier Ma
图书封面Titlebook: Women Writing Fancy; Authorship and Auton Maura Smyth Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Fancy.Women‘s Writing.
描述This book brings to the foreground the largely forgotten “Fancy” of the seventeenth and eighteenth centuries and follows its traces as they extend into the nineteenth and twentieth. Trivialized for its flightiness and femininity, Fancy nonetheless provided seventeenth- and eighteenth-century women writers such as Margaret Cavendish, Aphra Behn, Delarivier Manley, Eliza Haywood, and Anna Barbauld a mode of vision that could detect flaws in the Enlightenment’s patriarchal systems and glimpse new, female-authored worlds and genres. In carving out unreal, fanciful spaces within the larger frame of patriarchal culture, these women writers planted Fancy—and, with it, female authorial invention—at the cornerstone of Enlightenment empirical endeavor. By finally taking Fancy seriously, this book offers an alternate genealogy of female authorship and a new framework for understanding modernity’s triumph..
出版日期Book 2017
关键词Fancy; Women‘s Writing; Eighteenth Century Literature; Aphra Behn; Imagination; Leviathan; Hobbes; British
版次1
doihttps://doi.org/10.1007/978-3-319-49427-2
isbn_softcover978-3-319-84159-5
isbn_ebook978-3-319-49427-2
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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Maura SmythRevitalizes an important but dismissed trope in literary history and the history of gender studies.Examines a wealth of source material including works by Margaret Cavendish, Aphra Behn, Delarivier Ma
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Margaret Cavendish’s Fashioning of Fancyiful threads in Hobbes and Milton’s texts. She simultaneously casts herself as a monarch (“Margaret the First,” ruler of the Blazing World) and as a kind of Eve (a “happy creatoress”), all under the sign of Fancy—thereby herself becoming its personification.
发表于 2025-3-22 23:29:07 | 显示全部楼层
Going Undercover with Aphra Behn’s “Female Pen”iantly deploys it through the geographical appropriation of the real place of Surinam, which she represents as a place of abundant Fancy. Behn grants her narrator the ability to illuminate these spaces, thus developing the specifically female narrative voice for what will become the novelistic imagination.
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发表于 2025-3-23 08:02:14 | 显示全部楼层
Afterword: Fancy and the Tinctures, Tones, and Flavors of Historyistoriography, Barbauld seeks to shape her readers’ critical insight through attention to the subtle sensory qualities of tincture, tone, and flavor so that they may glimpse these fanciful, oft-unnoticed spaces across time.
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