Titlebook: Women Writers and Experimental Narratives; Early Modern to Cont Kate Aughterson,Deborah Philips Book 2021 The Editor(s) (if applicable) and

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Book 2021 from stories and cultures that have so often seen them as ‘other’. This collection shows that women writers in English over the past 400 years have challenged those ideas not only through explicit polemic and alternative representations but through disrupting the very modes of representation and story itself..

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,‘Unlink the Chain’: Experimentation in Aphra Behn’s Novels,assic . (1957) linked the emergence of the new genre to the rise of bourgeois individualism, reifying Defoe’s . as the archetypal novel: a historiography which has been rightly challenged by materialist and feminist critics, who variously acknowledge Behn, Manley and Haywood as Defoe’s contemporary

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,Experiment on a Dissected Reading: Maternal Absence in ,’s Gothic Gravidity,ernative fictional space in experimental writing—a space in which what is feminine and marginalised in fiction and patriarchal culture can be expressed through ‘exploding traditional forms’ (Friedman and Fuchs, Contexts and Continuities: An Introduction to Women’s Experimental Fiction in English. In

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Genre-Bending and Experimentation in Sensation Fiction: The Case of Mary Braddon and Ellen Wood,preyed on the nerves of its readers with outrageous and scandalous plots that depicted graphic, startling episodes including murder, bigamy, madness and seduction. Two of its most successful and prolific authors were Ellen Wood and Mary Braddon, who wrote their most successful novels, . and . in 186

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,The Ironic Strategies of Kate Chopin’s , traces in detail and which is matched by the verbal and stylistic and intertextual subversions that are detailed in the chapter and which structure this still shocking, and deeply moving, examination of a woman struggling with the furthest implications of being (in words that were originally going

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,Helen Oyeyemi at the Vanguard of Innovation in Contemporary Black British Women’s Literature,tuality and metafiction, for which they draw on diverse heritages, including myth, literature and history from Africa, the Caribbean and Europe. Through a preamble overview of these and other innovative strategies across a range of authors and a more extensive case study of Helen Oyeyemi, whose work