Titlebook: Weyward Macbeth; Intersections of Rac Scott L. Newstok,Ayanna Thompson Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010

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Reading , in Texts by and about African Americans, 1903–1944: Race and the Problematics of Allusive ietzsche’s words—“the evil of ambition.” But in the nineteenth and early twentieth centuries some began to question this long-settled assumption. Gradually it became acceptable to understand the tragedy less as an object lesson in crime and punishment and more as a glimpse of fatal struggles seen th

BALK

Before Welles: A 1935 Boston Productionecause my family was extensively involved in it, starting from my grandfather Lorenzo Quarles (who was the stage manager) to my aunts and uncles (who were actors and directors), including Frank Silvera and Luoneal Mason. As a contemporary producer who has produced films . film festivals for filmmake

Visual-Acuity

Black Cast Conjures White Genius: Unraveling the Mystique of Orson Welles’s “Voodoo” lay’s setting was famously transposed to the nineteenth-century Caribbean, deliberately evoking historical resonances between Macbeth and the Haitian Emperor Henri Christophe. As with any Welles endeavor, numerous fascinating anecdotes surround the production, many of which remain unverifiable and i

Aboveboard

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: Travels and Travails of a Choreo-Drama Inspired by the FTP Productionnvolve a wide range of artistic communities across the nation in this revival. Throughout the development of ., over 500 performers participated in residencies and staged presentations across the country; more than thirty scholars conducted post-performance dialogues, workshops, and symposia; collab

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