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Titlebook: Colour‘d Shadows; Contexts in Publishi Terence Allan Hoagwood,Kathryn Ledbetter Book 2005 Palgrave Macmillan, a division of Nature America

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期刊全称Colour‘d Shadows
期刊简称Contexts in Publishi
影响因子2023Terence Allan Hoagwood,Kathryn Ledbetter
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图书封面Titlebook: Colour‘d Shadows; Contexts in Publishi Terence Allan Hoagwood,Kathryn Ledbetter Book 2005 Palgrave Macmillan, a division of Nature America
影响因子This book studies the print culture of the nineteenth century as it shaped the meanings and the cultural significance of literary works by women writers - Mary Robinson, Felicia Hemans, Elizabeth Barrett Browning, Lady Blessington, Lady Morgan, Caroline Norton, Letitia Elizabeth Landon, and others. Colour‘d Shadows explains and interprets the physical forms of their books, the economics and politics of production and reception, and the cultural meanings of their literary work, showing how poems, literary annuals, engravings, commercial arrangements, the practices of women editors as well as writers, the politics of gender, the changing means of production, and women‘s literary relationships unfold in the medium of print and, more largely, the rapidly changing culture of the century.
Pindex Book 2005
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,Scholarly Fantasy and Material Reality in Mary Robinson’s ,colon in determining the distribution of barium and air. It also rec­ ognizes the influence oflocation on the radiologic appearance of the lesion. The authors demonstrate a profound understanding of the principles of double contrast diagnosis as applied to the colon. They also have a good grasp of the gross p978-3-642-70397-3978-3-642-70395-9
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,Scandal as Commodity and the “Calumniated Woman”,stematic errors. The arrangement of the observations became standard practice. W. Struve also introduced counting the position angles from 0° through 360°, instead of recording quarants which had been the previous custom, and had caused frequent mistakes. He later decided to impose a separation limi
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,“The Fate of Woman At Its Root”: Elizabeth Barrett’s , and Jean Ingelow’s ,978-88-470-2217-1
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https://doi.org/10.1007/978-81-322-1575-2eelings, sanctified by patriarchal deity, and as if its destiny were personal feeling in the sensibility of its customer.. These nineteenth-century critics express no doubts about the author-function, about texts being made of other texts, or about the materiality of the text in real time and space.
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