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Titlebook: Wax Impressions, Figures, and Forms in Early Modern Literature; Wax Works Lynn M. Maxwell Book 2019 The Editor(s) (if applicable) and The A

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发表于 2025-3-21 17:15:18 | 显示全部楼层 |阅读模式
书目名称Wax Impressions, Figures, and Forms in Early Modern Literature
副标题Wax Works
编辑Lynn M. Maxwell
视频video
概述Contributes to the areas of object studies and material studies.Examines posthumanism in early modern texts.Engages examples from art, literature, philosophy, and science
丛书名称Early Modern Cultural Studies 1500–1700
图书封面Titlebook: Wax Impressions, Figures, and Forms in Early Modern Literature; Wax Works Lynn M. Maxwell Book 2019 The Editor(s) (if applicable) and The A
描述.This book explores the role of wax as an important conceptual material used to work out the nature and limits of the early modern human. By surveying the use of wax in early modern cultural spaces such as the stage and the artist’s studio and in literary and philosophical texts, including those by William Shakespeare, John Donne, René Descartes, Margaret Cavendish, and Edmund Spenser, this book shows that wax is a flexible material employed to define, explore, and problematize a wide variety of early modern relations including the relationship of man and God, man and woman, mind and the world, and man and machine. .
出版日期Book 2019
关键词posthumanism; object studies; material studies; early modern literature; Shakespeare; wax figures; early m
版次1
doihttps://doi.org/10.1007/978-3-030-16932-9
isbn_softcover978-3-030-16934-3
isbn_ebook978-3-030-16932-9Series ISSN 2634-5897 Series E-ISSN 2634-5900
issn_series 2634-5897
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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发表于 2025-3-21 21:26:44 | 显示全部楼层
https://doi.org/10.1007/978-3-030-16932-9posthumanism; object studies; material studies; early modern literature; Shakespeare; wax figures; early m
发表于 2025-3-22 01:34:04 | 显示全部楼层
978-3-030-16934-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Wax Seals: Gendered Relations in Shakespeare,y imprinted by the pressure of a hard, impervious, and masculine signet. The chapter begins with .-. to show how strongly women were associated with wax in the period. It then turns to Shakespeare’s ., and . to argue that Shakespeare uses the signet–seal trope in ways that disrupt those gender binaries.
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Epilogue: A Figure of Wax,This final chapter retraces questions of gender, writing, art, and the nature of humanity that have recurred throughout this project. It also offers additional avenues for exploration in and around wax.
发表于 2025-3-23 05:23:50 | 显示全部楼层
Lynn M. MaxwellContributes to the areas of object studies and material studies.Examines posthumanism in early modern texts.Engages examples from art, literature, philosophy, and science
发表于 2025-3-23 05:42:45 | 显示全部楼层
Introduction: Wax Concepts,ural uses. Using Tintoretto’s . and Renè Descartes’ . as its two touchstones, this chapter traces various histories and uses of wax in literature, philosophy, art, and other domains to show the multiplicity of ways that wax works in the period and suggest that wax was a valuable material in the peri
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