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Titlebook: War Representation in British Cinema and Television; From Suez to Thatche Kevin M. Flanagan Book 2019 The Editor(s) (if applicable) and The

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书目名称War Representation in British Cinema and Television
副标题From Suez to Thatche
编辑Kevin M. Flanagan
视频video
概述Excavates many neglected and forgotten films that have not previously been regarded as central to the imagined canon of British war films, and shows why they are important.Connects British representat
丛书名称Britain and the World
图书封面Titlebook: War Representation in British Cinema and Television; From Suez to Thatche Kevin M. Flanagan Book 2019 The Editor(s) (if applicable) and The
描述.This book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the “lost continent” of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain’s martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory..
出版日期Book 2019
关键词British Cinema; War Films; Film Genres; Film in the 1970s; Film in the 1960s; British Telivision; Joseph L
版次1
doihttps://doi.org/10.1007/978-3-030-30203-0
isbn_softcover978-3-030-30205-4
isbn_ebook978-3-030-30203-0Series ISSN 2947-7182 Series E-ISSN 2947-7190
issn_series 2947-7182
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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978-3-030-30205-4The Editor(s) (if applicable) and The Author(s) 2019
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Kevin M. Flanagans to mend their bloody ways or because it offers them occasion to display compassion as an . for real change? The latter is suggested in Terry Eagleton’s blunt comment that ‘the case is no different from someone shedding tears over images of the down-and-out while creating mass unemployment in his own company.
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Kevin M. Flanaganolitical or moral ideologies;. by protesters using the ‘otherness’ of the puppet to represent the ludicrous nature of dictatorship; and by people wishing to escape censorship, blaming their actions on the puppet. They have been used not only as instruments in the hands of ideologists, but also as vicious and sharp satirical voices.
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hild. It conveys a heightened sense of loss by insisting that he ‘was a child’ (1. 5) and emphasising that the account offered is his ‘little storie’ (1. 2). Pavy’s status as child is crucial to his identity to the extent that even ‘Death’s selfe’ (1. 4) is sorry at having mistakenly taken him.
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