Titlebook: Walking Virginia Woolf’s London; An Investigation in Lisbeth Larsson Book 2017 The Editor(s) (if applicable) and The Author(s), under excl

MOTIF

Expostulate

Allure

,Trials and Tribulations—,, ,, ,, , and ,,uts to test the categories of time, place and class/gender. Tracing this development from its beginning in . to its peak in ., one can see her giving up this utopian project and gradually return to the method of maps in the pseudo-biographical novel ..

Plaque

,All Over the Map of London—,,characters, in the historical narrative of ., which covers half a century, Woolf uses the method of maps to describe the many-levelled development of the modern city. The new vehicles used to get around in the city, the different areas her characters are living in and their various movements about t

Angioplasty

,The Map of London Exhausted—,, countryside and from this point of view London is a distant place characterised by gossip, business, male power and violence. The only person dreaming of London is the old aunt, Mrs. Lucy Swithin. The London she is dreaming of, however, is not the modern city but the prehistoric place before the ar

agitate

FAWN

colostrum

存在主义

,Walking in Upper-Class Westminster—,, When the walks are drawn on the London map, the corner of Bond Street and Brook Street—which is where Woolf placed the famous flower shop that Mrs. Dalloway visits—turns out to be what Michel Bakhtin calls the ‘chronotope’ of the text. Not only is it the place where Clarissa and her alter ego Septi

regale

,Trials and Tribulations—,, ,, ,, , and ,,uts to test the categories of time, place and class/gender. Tracing this development from its beginning in . to its peak in ., one can see her giving up this utopian project and gradually return to the method of maps in the pseudo-biographical novel ..