Titlebook: W. B. Yeats and the Creation of a Tragic Universe; Maeve Good Book 1987 Maeve Good 1987 bibliography.dance.death.landscape.play.tragedy.Wi

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A Tragic Universe: The Framework of ,,e supernatural, appearing as the Sidhe, reveals the beautiful and terrible figure of the Muse, the anti-self, the Daimon, a force hostile or indifferent to man, yet essential to his moment of truth and tragic recognition. In these plays we saw how Yeats creates a landscape which echoes and embodies

Indict

Four Plays and the Problem of Evil,ision of Evil’ implies vision, the apocalypse which I attempted to define in the last chapter, a revelation of what . ‘really and unchangeably’ (., p. 116). The question of evil manifests itself in two forms in Yeats’s writings. First, Yeats’s cyclical system, his rejection of the absolute of Christ

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头盔

Introduction,of such a landscape and I argue that this landscape and the world system behind it are conceived as tragic. My study explores Yeats’s dance plays, the material which culminates in . and Cuchulain, the hero who dominates Yeats’s world.

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The Landscape of Tragedy: Three Dance Plays,eading his hero towards revelation. Cuchulain moves from an abundance of life and gesture into a place of emptiness, a suspension in the light of a judgement day, a waste land. Such transformation is achieved in the tragic moment, when the everyday world is left behind. This chapter explores three p

记忆法

intention

内阁

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