| 期刊全称 | Present Continuous Past(s) | | 期刊简称 | Media Art. Strategie | | 影响因子2023 | Ursula Frohne,Mona Schieren,Jean-François Guiton | | 视频video | | | 发行地址 | the first comprehensive survey on the conditions of documentation and dissemination of media art.a "hands-on” manual for students, curators and artists concerning questions of reproduction, accessibil | | 图书封面 |  | | 影响因子 | — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — off legitimate research interests against artists’ justi?ed claims for economic grati?cation? And how could new methods of documentation and dissemination, for example on the Internet, contribute to a more liberal access to the (so-far) closed-circuit system of established formulas for the mediation of multi-media artworks, in order to create a wider frame of reference via new visualization techniques? These questions were debated among other issues at an international symposium, held in the spring of 2004 at the University of Art in Bremen. As intentionally re?ected in the adapted title from Dan Graham’s seminal video-feedback installation »Present Continuous Past(s)«, the conference discussions crystallized around three main aspects, namely the relation of the artists’ intention to the faithful presentation and preservation of multi-media artworks for possible future re-presentations, the speci?c reception conditions that these works require as much in their gallery displays as under the conditions of post-exhibition documentation (particularly in anticipation of future presentations), and ?nally – as impli | | Pindex | Book 2005Latest edition |
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发表于 2025-3-21 19:34:10
